The Cinematography OF

Raiders of the Lost Ark in Black and White (1981)

14 Responses

    1. Yeah. It makes you look at thing you might never have seen before. I was surprised initially at how well it works on B&W. Some scenes look like they were made for B&W. The scenes in the submarine bunker for example.

  1. I heard from a co-worker that a lot of the film was lit like you would light a black and white movie. it certainly looks amazing in B&W.

  2. Where does one get a copy of this film in B&W? I have it in color on DVD and any searches for it send me back here and a few other places all talking about this very topic.

    1. Well I don’t think a B&W version has been released, so you probably won’t find one that has been color corrected for an optimal B&W look or anything like that. The best I can suggest to to adjust your TV. Most monitors and TVs have the ability to adjust the hue and saturation of the picture. Just turn the saturation down all the way and see how it looks. That way you could even watch the Blu-ray in B&W.

  3. I have to say, I didn’t know I wanted to see this until I read this article. Now I would *kill* for a copy of this film in B&W!

    1. Celeste!! Check on your tv to see if there is a saturation control setting. There is one on most TVs. If you turn it all the way down you’ll get a black and white picture.

  4. This isn’t as surprising as you might think. “Raiders” cinematographer was Douglas Slocombe, who had been shooting movies since the ’40s, when they were all black and white. People who have only lit for color might not know how to light for b&w, but obviously Slocombe knew how to do both.

  5. When movie are edited, it is most of the time in B&W, editor and director are working on a B&W version for so long they get use to see it like that. And some times they have regret to not make a B&W distribution of the movie.
    Mad Max Fury Road director George Miller was one of them, so he insisted for the B&W version of the movie to be featured on the bluray.
    The Cohen brother made a movie in B&W (The Man Who Wasn’t There), but shot it in color “in case” then desatured it to B&W. Guess distributor do not like B&W…

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