“One thing I’ve noticed is that the default position for everyone is to
de-saturate post-apocalyptic movies. There’s only two ways to go, make
them black and white — the best version of this movie is black and
white, but people reserve that for art movies now. The other version is
to really go all-out on the color. The usual teal and orange thing?
That’s all the colors we had to work with. The desert’s orange and the
sky is teal, and we either could de-saturate it, or crank it up, to
differentiate the movie.”
George Miller
Director
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